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Nata Metlukh, does the universe exist when we aren't looking?.
Courtesy of the artist.

ART

ART

Moving us with animated art

Art

Experimental

Animation

Artist Nata Metlukh offers a wide range of moving works and short films that portray our everyday world with humor and delicacy.

author

Luciana Trost

Date

February 23, 2026

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Nata Metlukh, clouds. Courtesy of the artist.

We know that art, by its very nature, involves movement. Something ceases to be what it was and becomes something else, either because, as viewers, it changes the way we think or exist in the world, or because what we observe daily takes on a different meaning. For example, a simple box of dishwashing detergent becomes a work of art (we smile here and clearly allude to Andy Warhol’s Brillo Boxes).

But when we speak of kinetic art, or even animated art, as in this article, which focuses mainly on short films and animated illustrations (GIFs), movement takes on a double meaning. It is implicit, because it is art, but it is also explicitly expressed. This is the kind of art to which Nata Metlukh, an illustrator born in Ukraine and based in the United States, invites us. With each drawing, illustration, animation, or even film, she leads us into a world where our everyday experiences are reinterpreted through humor and, in some cases, with a hint of irony, allowing us to shed the solemn burden of extreme seriousness imposed by life in contemporary society.

Nata Metlukh, soup of the day.
Courtesy of the artist.

Nata Metlukh, mental health: keep your mental health in check when working from home.
Courtesy of the artist.

Nata Metlukh, horse. Courtesy of the artist.

Nata Metlukh, horse. Courtesy of the artist.

Nata Metlukh, cities where i’ve lived: kaniv, ukraine. Courtesy of the artist.

Nata Metlukh, puppy for hermes.
Courtesy of the artist.

One example is her short film Awkward, in which a series of everyday situations, largely uncomfortable ones, unfold and are stripped of their formal and severe tone in order to be drawn and animated with grace and a touch of irony. Two people arrive at a street corner, bump into each other, and choreograph a mirrored dance to disentangle themselves. A young woman feels embarrassed when she realizes that the greeting she is returning from another woman was not meant for her. On a subway train, a woman’s head falls off as she tries to sneak a look at what the passenger next to her is reading. A casually dressed young man feels ashamed as he tries to walk past a group of elegantly dressed people and a photographer who seem to be observing a banana as a work of art, suggesting a reference to Comedian by Maurizio Cattelan.

And the intention behind her GIFs continues along the same lines. A young woman sitting in a park turns her gaze backward, and the landscape only appears when she rests her eyes upon it, disappearing when she looks away (we wonder here whether the world exists only in that upon which we fix our gaze). A horse gracefully traverses the rectangular frame that contains it, defying gravity. An Akita dog stretches excessively—like a rubber toy—as it moves forward in its walk.

Nata Metlukh, loading.
Courtesy of the artist.

Nata Metlukh, cities where i’ve lived: vancouver, canada. Courtesy of the artist.

Nata Metlukh, off-time.
11 mins  |  USA, Japan, Ukraine  |  2025
Direction, animation: Nata Metlukh 
Sound design: Maksym Andrukh
Courtesy of the artist.

Nata Metlukh, awkward.
4 mins  |  USA  |  2020
Direction, animation: Nata Metlukh
Sound, music: Daruma Audio
Courtesy of the artist.

As for the distinctive aesthetic Metlukh proposes, several elements stand out. At first glance, her line work draws attention, whether through textures that suggest the use of colored pencils or markers, evoking childhood (hairy lines, bodily disproportions, human silhouettes with little or no detail beyond their shape), or through the combination of techniques and movements drawn from both digital and traditional animation. All of this results in works that point toward playfulness, humor in everyday life, and a tenderness and innocence that recall childhood.

We said at the beginning that art is movement, and we can therefore conclude that it is also synonymous with life, with the living quality of life itself (life ↔ movement). An ode to Nata Metlukh for drawing us closer to the animated world by ingeniously revealing and transforming the small gestures of everyday life.

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