With Book, Bold, and Italic, Manifont Grotesk establishes a clear hierarchy and keeps its planar geometry intact, so large headlines and tight layouts remain readable. The dot version reduces Manifont Grotesk to its nodes, displayed as discrete points that trace each stroke. Curves show up as star-like patterns of dots, stroke ends as tight clusters, and the inner holes as neat rings, so the construction stays visible even without outlines. The result reads as structure first, decoration second.

It shines in display work. Those facets add clear edge definition that reads at a distance and holds up under tight cropping. In short blocks, the typeface creates a consistent rhythm that keeps lines engaging and gives editors a simple way to control reading pace in intros and highlighted quotes. Use it for headline work on posters, zine covers, motion title cards, and brand wordmarks. For longer reading, pair it with something calmer, and let Manifont Grotesk anchor openings and section markers. You will get a cohesive two-type system with roles that don’t compete.